the kino-eye and human flight is facilitated by the choreography of the nuclear family. Each movement is intrinsically reliant on the other. Inspired by Hollywood and post-war Vietnamese cinema, the shadows and panning shot references the kite scenes in the 1984 classic Bao giờ cho đến tháng Mười (When will October come?) originally written and directed by Đặng Nhật Minh. This project was supported by SCA Galleries and curated by Nicholas Tsoutas for SCA Galleries, 2014.